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Viewing: MUS_I_VR 3753W wengerj : Piano Literature I - Writing Intensive

Last approved: Mon, 27 Feb 2017 22:07:26 GMT

Last edit: Mon, 27 Feb 2017 22:07:21 GMT

Proposal Type

Writing Intensive

Contact Information

wengerj
Janice
Wenger
WengerJ@missouri.edu
573/882-0932
School of Music
Are you submitting this proposal on behalf of an instructor?

Instructor for whom you are submitting proposal:
wengerj
Janice
Wenger
WengerJ@missouri.edu
573/882-0932
School of Music
Subject Area’s Department Chair/Director:
gainesju
Julia
Gaines
Gainesju@missouri.edu
573/882-2606
School of Music

Term for Proposal

 
Fall 2017

Course Catalog Information

A&S
Music-Instrumental And Vocal Repertory (MUS_I_VR)
Music-Instrumental And Vocal Repertory
3753W
2
 
30
Piano Literature I - Writing Intensive
Survey of keyboard music from ca. 1600 to ca. 1800.
 
Lecture/Standard
A-F (allow student to choose S/U option)
junior standing and instructor's consent.
 
 
 

Instructor Information

wengerj
Janice
Wenger
WengerJ@missouri.edu
573/882-0932
School of Music
(numbers only)
Tenured Professor
138 Fine Arts
 
 

The Campus Writing Program conducts a two-day faculty workshop to assist with the design and implementation of your writing intensive course. Once your course proposal has been approved by the Campus Writing Program, you will receive information on time, date and location of the workshop.
Indicate below if additional instructors are planned, but specific individuals have not yet been chosen. Check all that apply

Briefly describe the qualifications of the known graduate instructors, or planned qualifications if graduate instructors are still to be selected, bearing in mind that graduate students teaching honors courses should be advanced students with a record of excellent teaching.
 

Honors Course Information

 
 
Answer the questions below as they would apply to one section. For all other sections, provide similar information in the Additional Sections Information box below.
 

 
 
 

 
 
 
 
 
 

Writing Intensive Course Information

This is a two semester course that surveys the literature of the piano and its predecessors. In the first semester, we look at the music from pre-Renaissance through Beethoven, and compare the performance practice issues of the original instruments harpsichord, clavichord, and fortepiano to those of the modern piano. The writing mainly concerns these differences. The students also do listening and score identification quizzes throughout the semester. I also illustrate good writing from assigned readings for the class, especially focusing on the use of vocabulary and syntax in discussing musical performers and performances.
None
Face-to-face
Self paced?

3
3
Should this course be considered for funding?

Large Enrollment Courses:
 
 
 

Writing Intensive Assignments

Words
All Assignments
Short first assignment: respond to reading of listening to Renaissance English keyboard literature. Teacher evaluates, returns for second/final draft. Purpose: to write about music for first time, utilizing proper vocabulary, sentence, and paragraphs.

First project, longer paper: Listen to multiple recordings of the same Bach piece performed on different instruments by different performers. Teacher provides organizational outline of topics to be covered although body of paper can be organized in a variety of ways teacher evaluates first and second drafts, or until paper is completed.

Second project, longer paper: Similar to first project, based on multiple performances and instruments of a Beethoven sonata. Teacher provides some organizational hints, but can be structured similarly to first project. Students evaluate first draft for each other, teacher evaluates second and subsequent revisions.

Midterm and Final Exams contain essay questions which are graded for writing clarity.
Length of assignment:
4000
Peers/Instructor
4000
Instructor
8000

Total pages for all assignments:
First drafts:
12.12
Revisions:
12.12
24.24
 

Writing Intensive Teaching

Instructor provided feedback
Other
Peer review
Teacher provides samples of good writing and a full music paper with effective and straightforward organization. Guidelines given for grammar and formatting in music writing revisions based on these samples and guidelines. Feedback provided in written form to each student during a one-on-one meeting with the teacher. I summarize issues to address, as well as specific revisions.
 
The multiple performances that are the basis of each project can be viewed from a variety of perspectives. Some students focus more on the instrument differences, some on the performers, choices of tempi, rubato, tone color, etc. I ask for their opinion of the most effective performance in the conclusion of the papers, based on the evidence presented in the body of the paper. Once they have made a convincing argument in the paper, we discuss their final opinions in class.
First short assignment is written no later than week 2. The first larger project begins in September and culminates about mid-term, and the second project is completed before the final exam. So with drafts and revisions, they are working on a larger writing project almost every week of the semester. The midterm and final essays are in class, which gives me a chance to see if the writing has improved.
35
%
See syllabus: listening examples, performance projects, objective portion of midterm and final exam (part of the final exam is a written essay)
0
 

Course Syllabus

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Administrative Information

Humanities and Arts
 
 

Acknowledgement

I have read and reviewed the updated proposal

Additional Comments

 
Lina Trigos Carrillo (trigoscarrillol) (Tue, 07 Feb 2017 16:29:20 GMT): Edited per faculty request.
Patricia Luckenotte (luckenottep) (Mon, 27 Feb 2017 22:07:21 GMT): MUS_I_VR 3730W, 01 has been added to the Fall 2017 Schedule of Classes and MUS_I_VR 3730, 01 has been cancelled for Fall
Key: 389